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NeAmH "NGS, PAINTINGS, ETCHINGS AND LITHOGRAPHS 


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INCLUDING PROPERTY FROM THE ESTATE OF 


"WILLIAM HEINEMANN, ESQ., DECEASED A 


hf | FORMERLY OF LONDON, ENGLAND : j 
sHINGS BY BUHOT, HADEN, ZORN*. 


AND OTHER ENGRAVERS 


) ae IN | COLOR BY 8. ARLENT EDWARDS 


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es 8: 15 0’ CLOCK IN THE EVENING 


UNDER THE MANAGEMENT OF oN 


MADISON SQUARE SOUTH 
NEW YORK CITY 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


RoNeee UU BUIC PE XELEBLE LON 
AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 
ENTRANCE, 6 EAST 23RD STREET 
BEGINNING MONDAY, JANUARY QTH, 1922 
AND CONTINUING UNTIL THE TIME OF SALE 


DRAWINGS, PAINTINGS, ETCHINGS AND LITHOGRAPHS 


BY JAMES ABBOTT McNEILL WHISTLER 
ALSO ETCHINGS BY BUHOT, HADEN, ZORN, HAIG, AND 
COLORED MEZZOTINTS BY 8 ARLENT EDWARDS 
INCLUDING PROPERTIES FROM 
THE ESTATE OF W. HEINEMANN, ESQ., DECEASED, OF LONDON 
THE ESTATE OF THE LATE MRS, ANNA M. ROMAINE 
AND MISS SUSAN MINNS OF BOSTON, MASS. 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF PARTIES HEREINAFTER DESIGNATED 
ON FRIDAY, JANUARY I 3TH, I Q2 a, 


AT 8:15 O'CLOCK IN THE EVENING 


AT THE AMERICAN ART GALLERIES 


. 4 L a a EA ele TA ye ha a 
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JAMES ABBOTT McNEILL WHISTLER 
LA MERE GERARD 
. Painting in Oils 


[No. 214] 


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ILLUSTRATED CATALOGUE OF 


DRAWINGS, PAINTINGS, ETCHINGS AND LITHOGRAPHS 


BY JAMES ABBOTT McNEILL WHISTLER 


ALSO ETCHINGS BY BUHOT, HADEN, ZORN, HAIG, AND 
COLORED MEZZOTINTS BY S. ARLENT EDWARDS 
INCLUDING PROPERTIES FROM 


THE ESTATE OF W. HEINEMANN, ESQ., DECEASED, OF LONDON 
THE ESTATE OF THE LATE MRS. ANNA M. ROMAINE 
AND MISS SUSAN MINNS OF BOSTON, MASS. 


TO BE SOLD WITHOUT RESERVE OR RESTRICTION 

BY ORDER OF VARIOUS PARTIES HEREINAFTER DESIGNATED 
ON FRIDAY, JANUARY I3TH, 1922 
AT 8:15 O CLOCK IN THE EVENING 


THE SALE TO BE CONDUCTED BY 
MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF 
THE AMERICAN ART ASSOCIATION, Manacers 


NEW YORK CITY 


STATEMENT OF OWNERSHIP 


The Important Collection of Etchings, Drawings, and Paintings by James A. 
McNeill Whistler, the Property of THE ESTATE OF WILLIAM HEINEMANN, 
ESQ., Deceased, formerly of London, England, and sold by order of the Public 
Trustee, is herein catalogued under items, Numbers,—168, 169, 170, 173, 174, 
I77; 170, 179, 180, 181, 183, 184, 185, 186, 187, 189, I91, 192, 1093, 195, 
Pee 1o7 100, 200, 201, 202, 203, 204, 205, 206, 207, 208, 2000 27TO,..2h1: 
212 and 214. 

Note: The following is an excerpt from a letter of Sir George Lewis to Mr. Pennell of Oc- 
tober 29, 1920. 

, ss Mr. Heinemann made his will a short time ago he wished me to insert a clause as 
OHOWS: 

“I desire my trustee to have any Whistler pictures I may possess at the time of my death 
dispatched to the United States of America and there sold for the benefit of my estate.” 

The Property of MRS. W. STEELE GRAY is herein catalogued under item 
Number,—135. 


A Collection of Mezzotints Printed in Color by S. Arlent Edwards from the 
Estate of the late MRS. ANNA M. ROMAINE, sold by order of Richard Condon, 
Esq., Executor, is herein catalogued under items, Numbers,—1, 2, 3, 4, 5, 6, 
eee et, 14°15, 16,17, 18, 19; 20, 21, 22, 23, 24, 25, 26, ous 
See at, 32, 33, 34, 36, 37, 38 and 104. 

A Collection of Etchings by Axel Herman Haig, the Property of MR. THOMAS 
M. ROBERTSON, of New York City, is herein catalogued under items, Numbers, 
Bo 12, 135," 134,136, 137, 138 and 139. 

An Important Collection of Oil Paintings and Watercolors by James A. McNeill 
Whistler, obtained by the late Thomas Hepp of Cornwall, England, from Val 
Prinsep, R. A., a very old and close friend of the artist. Later owned by MR. 
THOMAS C. HEPP of Cornwall, England, is herein catalogued under items, Num- 
epee eet, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 
220, 230, 231 and 232, 

Etchings sold by order RICHARD ELY, Attorney, are herein catalogued under 
items, Numbers,—39, 41, 120, 140, 141, 164, 167, 172, 188 and 190. 

A Consignment of Etchings, the Property of AN ENGLISH GENTLEMAN, 
sold by his order, is herein catalogued under items, Numbers,—40, 42, 46, 47, 
48, 49, 50, 51, 53, 54, 55, 56, 57) 66, 67, 68, 69, 79, 74, 75; 80, 81, 82, 83, 
Bee eto, OL, 92, 93, 94, 95, 97, 100, IOI, 102, 105, 106, 107, 108, 
Smee etl, id, 113, It4, 115, 116, 117, 118, 119, 121, 122,.123,:.124, 
eet 7.125, 120, 130, 148, 149, 150; 151, 152; 153,'.154, 155, 156, 
Seepeeer tos, 165, 166, 171, 175, 176,194 and 199. 

A Fine Collection of Buhot Etchings, Consigned by MISS SUSAN MINNS of 
Boston, and sold by her order, is herein catalogued under items, Numbers,—43, 
A4, 45, 52, 58, 59, 60, 61, 62, 63, 64, 65, 71, 72, 73, 76, 77, 78, 79, 87, 89, 
90, 96, 98, 99, 103, 142, 143, 144, 145, 146, 147, 157, 158, 159, 160 and 182. 

Colored Mezzotints by S. Arlent Edwards, consigned by MR. W. P. TRUES- 
DALE of New York City, sold by his order are herein catalogued under items, 
Numbers,—8, 9, and 35. 

An Important Whistler Painting the Property of AN ENGLISH GENTLEMAN, 
sold by order of a noted English Agency is herein catalogued under item, Number,— 
273. 


Conditions of Sale 


1. Rejection of Bids. Any bid which is not commensurate with the value of the article 
offered or which is merely a nominal or fractional advance may be rejected by the auctioneer 
if in his judgment such bid would be likely to affect the sale injuriously. 


2. The Buyer. The highest bidder shall be the buyer, and if any dispute arises between two or 
more bidders, the auctioneer shall either decide the same or put up for resale the lot so in dispute. 


3. Identification and Part Payment by Buyer. The name of the buyer of each lot 
shall be given immediately on the sale thereof and, when so required, each buyer shall sign a 
card giving the lot number, amount for which sold, and his or her name and address. 
Payment at the actual time of the sale shall be made of all or such part of the purchase 
prices as may be required. 
If the two foregoing conditions are not complied with, the lot or lots so purchased may at 
the opinion of the auctioneer be put up again and resold. 


4. Risk After Purchase. Title passes upon the fall of the auctioneer’s hammer and 
thereafter neither the consignor nor the Association is responsible for the loss or any damage 
to any article occasioned by theft, fire, breakage or any cause. 


5. Delivery of Purchases. Delivery of any purchases will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made at the place of sale or at the storage warehouse to which purchases 
may have been removed. 

Deliveries at the American Art Galleries will be made only between the hours of nine a. m. 
and one p. m. on sales’ days and on other days—except holidays, when no deliveries will be 
made—between the hours of nine a. m. and five p. m. 

Deliveries at places of sale other than the American Art Galleries will be made only during 
the forenoon following the day of sale unless by special notice or arrangement to the contrary. 

Deliveries at the Storage warehouse to which goods may have been sent will be made on any 
day other than holidays between the hours of nine and five. 

Deliveries of any purchases of small articles likely to be lost or mislaid may be made at the 
discretion of the auctioneer during the session of the sale at which they were sold. 


6. Storage in Default of Prompt Payment and Calling for Goods. Articles not 
paid for in full and either not called for by the purchaser or delivered upon his or her order by 
noon of the day following that of the sale will be turned over by the Association to some carter 
to be carried to and stored in some warehouse until the time of the delivery therefrom to the 
purchaser, and the cost of such cartage and storage will be charged against the purchaser and 
the risk of loss or damage occasioned by such removal or storage will be upon the purchaser. 
Note: The limited space of the Delivery Rooms of the Association makes the above require- 
ments necessary, and it is not alone for the benefit of the Association, but also for that of its pa- 
trons, whose goods otherwise would have to be so crowded as to be subject to damage and loss. 


7. Shipping. Boxing or wrapping of purchases is a business in which the Association is in 
no wise engaged, and will not be performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing at current and reasonable 
rates carriers and packers; doing so, however, without any assumption of responsibility on its 
part for the acts and charges of the parties engaged for such service. 


8. Guaranty. The Association exercises great care to catalogue every lot correctly and 
endeavors therein and also at the actual time of sale to point out any error, defect or imperfec- 
tion, but guaranty is not made either by the owner or the Association of the correctness of 
the description, genuineness, authenticity or condition of any lot and no sale will be set aside 
on account of any incorrectness, error of cataloguing or imperfection not noted or pointed 
out. Every lot is sold “as is” and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and the Association will 
give consideration to the opinion of any trustworthy expert to the effect that any lot has been 
incorrectly catalogued and in its judgment may thereafter sell the lot as catalogued or make 
mention of the opinion of such expert, who thereby will become responsible for such damage 
as might result were his opinion without foundation. 


9. Buying on Order. Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph or telephone will be faithfully attended to without 
charge or commission. Any purchases so made will be subject to the foregoing conditions of 
sale except that in the event of purchases consisting of one or more books for one who has not 
himself or through his agent been personally at the exhibition or sale, any book may be re- 
turned within ten days of the date of sale and will be refunded the purchase money therefor, 
if the book in any material manner differs from its catalogue description. 

Orders for execution by the Association should be written and given with such plainness as 
to leave no room for misunderstanding. Not only should the lot number be given, but also the 
title, and bids should be stated to be so much for the lot, and when the lot consists of one or 
more volumes of books or objects of art, the bid per volume or piece should also be stated. If 
the one transmitting the order is unknown to the Association, a deposit should be sent or 
reference submitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale or any session thereof will be furnished by the 
Association at charges commensurate with the duties involved in copying the necessary 
information from the records of the Association. 


AMERICAN ART ASSOCIATION 
American Art Galleries 
Madison Square South 
New York City 


At THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


UNRESTRICTED PUBLIC SALE BY ORDER OF 
VARIOUS PARTIES HEREINBEFORE DESIGNATED 
NOTABLE ETCHINGS, DRAWINGS, PAINTINGS, LITHOGRAPHS 
BY JAMES A. MCNEILL WHISTLER, AND PRINTS BY OTHER ARTISTS 


FRIDAY EVENING, JANUARY 13th, AT 8:15 O’CLOCK 


5. ARLENT EDWARDS 


Contemporary mezzotint engraver. Revived the art of color printing from a 
mezzotint plate—done in one printing and without any retouching, as it was 
practiced a hundred years ago by the English engravers. His work has great 
depth and brilliancy of tone. 


NOTICE. The S. Arlent Edwards Prints herein catalogued, Numbers 7 to 
38 inclusive, are all fine impressions, and in perfect condition. Each subject is 
within an artistic hand-carved gilt or antique-bronzed frame. 


EDWARDS, S. ARLENT 
1. BapTisTA TORNABUONI. Mezzotint, printed in colors. 
After the painting by Ghirlandaio. Signed Artist’s Proof. Edition limited 
to 225 copies. 
Height, 18; width, 12 inches. Framed. 


EDWARDS, S. ARLENT 
2. COUNTESS SPENCER. Mezzotint, printed in colors. 
After the painting by Reynolds. Signed Artist’s Proof. Edition limited 
to 175 copies. 
Height, 1234; width, 10 inches. Framed. 


EDWARDS, S. ARLENT 
3. DUKE AND DUCHESS OF CUMBERLAND. Mezzotint, printed in colors. 
After the painting by Gainsborough. Signed Artist’s Proof. Edition 
limited to 225 copies. 
Height, 1714; width, 1234 inches. Framed. 


EDWARDS, S. ARLENT 
4. Etvira. Mezzotint, printed in colors. 
After the painting by P. della Francesca. Signed Artist’s Proof. Edition 


limited to 225 copies. 
Height, 1514; width, 10% inches. Framed. 


Kindly read the conditions under which every item rs offered 
and sold. They are printed in the forepart of the catalogue. 


EDWARDS; s- ARLENT 


5. Emma (Lady Hamilton). Mezzotint, printed in colors. 
After the painting by Romney. Signed Artist’s Proof. Edition limited 
to 175 copies. 
Height, 1234; width, 10 inches. Framed. 


EDWARDS, S. ARLENT 
6. Francois II (Dauphin of France). Mezzotint, printed in colors. 
After the painting by J. Clouet. Signed Artist’s Proof. Edition limited 


to 225 copies. 
Height, 1258; width, 1014 inches. Framed. 


EDWARDS, S. ARLENT 
7. THE GARDEN Party. Mezzotint, printed in colors. 
After the painting by Lancret. Signed Artist’s Proof. Edition limited 
to 175 copies. 
Height, 17; width, 1634 inches. Framed. 


EDWARDS, S. ARLENT 
8. A GENTLEMAN OF BRUGES. Mezzotint, printed in colors. ; 
After the painting by Memling. Signed Artist's Proof. Edition limited to 
225 copies. 
Height, 16; width, 1134 inches. Framed. 


EDWARDS, S. ARLENT 
9g. GEORGE WASHINGTON. Mezzotint, printed in colors. 
Sharpless, fecit,—S. Arlent Edwards, Sculpsit,—Published 1899, by J. 
Percy Sabin, 80 Nassau St. New York. FINE IMPRESSION, with the 
inscription. Marked, Trial in colors before the use of the ground color,— 
J. Percy Sabin, publisher. 
Height, 938; width, 7% inches. Framed. 


EDWARDS, 5. ARLEN 
10. INNOCENCIA. Mezzotint, printed in colors. 
After the painting by Greuze. Signed Artist’s Proof. Edition limited to 
125 copies. 
Height, 11; width, 8 inches. Framed. 


EDWARDS, S. ARLENT 


11. LA BELLE FERRONNIERE. Mezzotint, printed in colors. 
After the painting by Leonardo da Vinci. Signed Artist’s Proof. Edition 
limited to 225 copies. 
Height, 1444; width, 1214 inches. .Framed. 


EDWARDS, S$. ARLENT 
12. Le DaupHIN. Mezzotint, printed in colors. 
After the painting by Mme. Le Brun. Signed Artist’s Proof. Edition 
limited to 175 copies. : 
Height, 9%; width, 514 inches. Framed. 


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Kindly read the conditions under which every item 1s offered 
and sold. They are printed in the forepart of the catalogue. 


EDWARDS, S. ARLENT 
13. Lapy Cowper. Mezzotint, printed in colors. 
After the painting by Romney. Signed Artist’s Proof. Edition limited 


to 225 copies. 
Height, 10; width, 84 inches. Framed. 


EDWARDS, S. ARLENT 


14. Lapy DupGEON. Mezzotint, printed in colors. 
After the painting by Raeburn. Signed Artist’s Proof. Edition limited 


to 225 copies. 
Height, 2014; width, 11 inches. Framed. 


EDWARDS, S. ARLENT 
15. Lapy HALLett. Mezzotint, printed in colors. 
After the painting by Gainsborough. Signed Artist’s Proof. Edition 


limited to 135 copies. 
Height, 1434; width, 7 inches. Framed. 


EDWARDS, S. ARLENT 
16. LADY MULGRAVE. Mezzotint, printed in colors. 
After the painting by Gainsborough. Signed Artist’s Proof. Edition 
limited to 225 copies. 
Height, 558; width, 44% inches. Framed. 


EDWARDS, S. ARLENT 


17. LADY SHEFFIELD. Mezzotint, printed in colors. 
After the painting by Gainsborough. Signed Artist’s Proof. Edition 


limited to 135 copies. 
Height, 1434; width, 7 inches. Framed. 


EDWARDS, S. ARLENT 
18. LourisE DE BourBon (Duchesse du Maine). Mezzotint, printed in colors. 


After the painting by Mignard. Signed Artist’s Proof. Edition limited 


to 225 copies. 
Height, 1634; width, 1358 inches. Framed. 


EDWARDS, S$. ARLENT 


19. LucCREZIA TORNABUONI. Mezzotint, printed in colors. 
After the painting by Botticelli. Signed Artist’s Proof. Edition limited 


to 225 copies. 
Height, 1458; width, 1154 inches. Framed. 


EDWARDS, S. ARLENT 
20. LuDOVICA TORNABUONI. Mezzotint, printed in colors. 
After the painting by Ghirlandaio. Signed Artist’s Proof. Edition limited 


to 175 copies. 
Height, 1234; width, 834 inches. Framed. 


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Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


EDWARDS, S. ARLENT 
21. MADONNA. Mezzotint, printed in colors. 
After the painting by Botticelli. Signed Artist’s Proof. Edition limited 
to 175 copies. 
Height, 1838; width, 12% inches. Framed. 


[See Illustration] 


EDWARDS, S. ARLENT 
22. MADONNA. Mezzotint, printed in colors. 
After the painting by Lippi. Signed Artist’s Proof. Edition limited to 175 
copies. 


Height, 1744; width, 1034 inches. Framed. 


EDWARDS oan kiiNe 


23. MADONNA. Mezzotint, printed in colors. 
After the painting by Perugino. Signed Artist’s Proof. Edition limited 
to 225 copies. 
Height, 1438; width, 12%4 inches. Framed. 


EDWARDS, 5S. ARLENT 


24. Mona Lisa. Mezzotint, printed in colors. 
After the painting by Leonardo da Vinci. Signed Artist’s Proof. Edition 
limited to 175 copies. 
Height, 1838; width, 1314 inches. Framed. 


[See Illustration] 


EDWARDS, S. ARLENT 


25. Mrs. Ltoyp. Mezzotint, printed in colors. 
After the painting by Reynolds. Signed Artist’s Proof. Edition limited to 
225 copies. 
Height, 2034; width, 1144 inches. Framed. 


EDWARDS, S. ARLENT 


26. Mrs. Norton. Mezzotint, printed in colors. 
After the painting by Gainsborough. Signed Artist’s Proof. Edition 
limited to 175 copies. 
Height, 1578; width, 734 inches. Framed. 


EDWARDS,-Sr AREER NG 
27. Mrs. WELLS. Mezzotint, printed in colors. 
After the painting by Romney. Signed Artist’s Proof. Edition limited to 
135 copies. 
Height, 8; width, 6 inches. Framed. 


EDWARDS, S. ARLENT 
28. THe Music Lesson. Mezzotint, printed in colors. 
After the painting by Lancret. Signed Artist’s Proof. Edition limited to 
175 coptes. 
Height, 1738; width, 1736 inches. Framed. 


Sale, Friday Evening, January 13th 


EDWARDS, S. ARLENT 
29. NatuRE. (The Calmady Children.) Mezzotint, printed in colors. 
After the painting by Lawrence. Signed Artist’s Proof. Edition limited to 
175 copies. 
Height, 1334; width, 1134 inches. Framed. 


EDWARDS, S. ARLENT 


30. eae (Mrs. Drummond Smith.) Mezzotint, printed in colors. 
After the painting by Romney. Signed Artist’s Proof. Edition HEED to 
175 copies. 
Height, 1234; width, 10 inches. Framed. 


EDWARDS, S. ARLENT 


31. PLAYMATES. Mezzotint, printed in colors. 
After the painting by Reynolds. Signed Artist’s Proof. Edition limited to 
125 copies. 
Height, 758; width, 534 inches. Framed. 


EDWARDS, S. ARLENT 


32. PORTRAIT OF A LaDy. Mezzotint, printed in colors. 
After the painting by Ambrogio de Predis. Signed Artist’s Proof. Edition 
limited to 175 copies. 
Height, 1234; width, 85 inches. Framed. 


Erroneously called “Beatrice d’Este” and attributed to Leonardo da Vinci. 


EDWARDS, S. ARLENT 


33. PRINCESS BEAUJOLAIS. Mezzotint, printed in colors. 
After the painting by Nattier. Signed Artist’s Proof. Edition limited to 
225 copies. 
Height, 18; width, 1334 inches. Framed. 


EDWARDS, S. ARLENT 


34. SYMPATHY. Mezzotint, printed in colors. 
After the painting by Greuze. Signed Artist’s Proof. Edition limited to 
225 copies. 
Height, 1454; width, 1134 inches. Framed. 


EDWARDS, S. ARLENT 
35. LuCREZIA TORNABUONI. Mezzotint, printed in colors. 
After the painting by Botticelli. Signed Artist’s Proof. Edition limited to 
225 copies. . 
Height, 1378; width, 107% inches. Framed. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


EDWARDS, S. ARLENT 


36. Mrs. WELLS. Mezzotint, printed in colors. 
After the painting by Romney. Signed Artist’s Proof. Edition limited to 
135 copies. Early impression, printed on thin paper. 
Height, 6; width, 434 inches. Framed. 


EDWARDS, 5S. ARLENT 


37. VISIT TO THE BOARDING SCHOOL. Mezzotint, printed 1n colors. 
After the painting by Morland. Signed Artist’s Proof. Edition limited to 
175 copies. 
Height, 1738; length, 22 inches. Framed. 


EDWARDS, S. ARLENT 


38. WILLIAM, PRINCE OF ORANGE. Mezzotint, printed in colors. 
After the painting by Van Dyck. Signed Artist’s Proof. Edition limited 
to 225 copies. 
Height, 1814; width, 1244inches. Framed. 


OTTO H. BACHER 


Modern American Etcher 


BACHER, OPTO: i: 


39. Two SHipes, VENICE. Liching. 
Signed Artist’s Proof. Fine Impression, printed on India paper. In per- 
fect condition. 
Height, 338; length, 938 inches. 


EUGENE BEJOT 


Contemporary French etcher. Born at Paris in 1865. 


BEJOT, EUGENE 
4o. LA SEINE AU PONT DES St. PEREsS, Paris. Etching. 
Signed in pencil,—Eugéne Béjot. FINE IMPRESSION, printed in brown ink, 
on Japan paper. Margins slightly rubbed. 
Height, 97%; length, 1334 inches. 


FRANK BRANGWYN 


Contemporary English painter and etcher. Born in London in 1867. 


BRANGWYN, FRANK 


41. Tour DE Faure. Liching, 
Signed in pencil, Frank Brangwyn. FINE IMPRESSION, in fine condition. 
Height, 934; length, 13% inches. Framed. 


Sale, Friday Evening, January 13th 


FELIX BUHOT 


French etcher, born at Valognes, 1847; died in Paris, 1898. “The technic of 
Buhot is assuredly far from being simple. But he is free. He is not the slave of 
rules and formulas; he has not the least respect for arbitrary laws; he blends and 
mixes all the different means used for obtaining effects in black and white— 
whether by cutting into or corroding the plate. He is not the slave of any one 
implement.”—Léonce Bénédite. 


BUHOT, FELIX 


42. LESorr. Etching. 
Bourcard, No. 9. 
After Corot. 
FINE IMPRESSION, printed on Japan paper. In perfect condition. 
Height, 5%; length, 6% inches. 


UN GRAIN A TROUVILLE. Etching. 
Boucard, No. 122. 
FINE IMPRESSION, on Holland paper, in perfect condition. 
Height, 534; length, 876 inches. 
Together, 2 pieces. 


BUHOT, FELIX 


43. EAUX-FORTES ORIGINALES ET D’APRES DIVERS. Fichings. 

Boucard, Nos. 5, 16, 24, 52, 53, 54, 58, 60, 65, 66, 123. 

Eleven etchings by Buhot,—Au Fil de l’Eau; Vase Etain Laque; Biberon 
en Faience d’Oiron; Le Poisson Volant; Cabinet de Lecture au Japon; 
Quatre Anons dans Un Pré; Cacoletiére Assise; Un Jeune Voyou; En 
Province; Le Couvre-Feu; and a destroyed impression of the Matinée 
d’Hiver. All good impressions. 

Together, I1 pieces, various sizes, about 6 by 9 inches. 


BUHOT, FELIX 


44. JAPONISME. Fichings. 

Boucard, Nos. 11-20. 

A series of ten etchings, including title-page, of Japanese objects in the 
collection of Monsieur Ph. Burty. ALL FINE Proors, printed on Holland 
paper with wide margins. Copy No. 33, in the original portfolio. In 
perfect condition. 


BUHOT, FELIX 


45. MA PETITE VILLE, Aquatint and Drypoint. 

Bourcard, No. 27. Second State of three. 

Signed on the plate with the initials, #. B., date 1872 and “Aprés la pluie’ 
in lower left corner. BEAUTIFUL PRooF, printed on “Van Gelder” paper, 
with large margins. In perfect condition. 

Height, 458; length, 614 inches. 


? 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


BUHOT RELI 
46. MA PETITE VILLE. Aquatint and Drypoint. 
Bourcard, No. 27. Third State of three. 
FINE IMPRESSION, printed on heavy Holland paper. With dedication in 
ink,—A Monsieur Philippe Burty—hommage dun premier essat d Eau 
Forte, Tohub. In perfect condition. 
Height, 4; length, 534 inches. 


From the Burty and Barrion Collections. 


BUHO EG FELIX 


47. L’ETANG DE LA BiEvRE. Etching and Aquatint. 
Bourcard, No. 43. First State, before the plate was Aquatinted, and the 
Second State with the Aquatint work added. 
Signed in pencil and with the red owl stamp. Fine impressions, printed on 
Holland paper. In perfect condition. 
Height, 3; width, 234 inches. 
Together, 2 pieces. 


BUHOT, FELIX 


48. Ex Lispris DE LEON LEREY. Etching and Aquatint. 

Bourcard, No. 51. 
Signed,— Felix Buhot. VERY FINE IMPRESSION, in perfect condition. 
Height, 41%; length, 7 inches. 

Au BorD DELA MER. Etching. 
Bourcard, No. 46. 
After Louise Abbema. FINE IMPRESSION, in perfect condition. 
Height, 4%; length, 65% inches. 
Together, 2 pieces. 


BUHOT; FELIX 


49. L’ ENTREE DE LANDMER. Etching. 
Bourcard, No. 57. 
Signed with the red owl stamp. FINE Proor, printed in brown ink, on a 
greenish colored paper. In perfect condition. 
Height, 3; length, 714 inches. 


BUHOT. FEETX 


50. PLUIE ET PARAPLUIE. Etching. 
Bourcard, No. 68. Second State of two. 
Signed with the red owl stamp. FINE IMpREsSION, printed in brown ink 
on Holland paper. In perfect condition. 
Height, 454; width, 3% inches. 


BUHOT, FELIX 


51. PLUIE ET PARAPLUIE. LEtching. 
Bourcard, No. 68. Second State of two. 
FINE IMPRESSION, printed in black ink on Holland paper. In perfect con- 
dition. 
Height, 454; width, 314 inches. 


Sale, Friday Evening, January 13th 


BUHOT, FELIX 


52. UNE MATINEE D’AUTOMNE. Etching and Aquatint. 
Bourcard, No. 71. Second State of two. 
Signed on the plate, and with the red owl stamp. VERY FINE IMPRESSION, 
printed on parchment. In perfect condition. 
Height, 444; length, 63 inches. 


BUHOT, FELIX 


53. UNE MATINEE D’AUTOMNE. Etching and Aquatint. 
Bourcard, No. 71. 
FINE IMPRESSION, printed on Holland paper. In perfect condition. 
Height, 4%; length, 65 inches. 


BUHOT, FELIX 


54. UNE MATINEE D’AuTOMNE. Etching and Aquatint. 
Bourcard, No. 71. 
FINE IMPRESSION, printed on Holland paper. In perfect condition. 
Height, 4%; length, 656 inches. 


BUHOT, FELIX 


55. L’ANGELus. Etching and Drypoint. 
Bourcard, No. 72. Fourth State of four. 
FINE IMPRESSION on Holland paper. In perfect condition. 
Height, 578; width, 43 inches. 


BUHOT, FELIX 


56. SPLEEN ET IDEAL. Etching and Drypoint. 
Bourcard, No. 73. 
Signed on the plate. FINE IMpREsSION, printed on Holland paper. In 
perfect condition. 
Height, 638; width 31% inches. 
From the Philippe Burty Collection. 


BUHOT, FELIX 


57. SPLEEN ET IDEAL. Etching and Drypoint. 
Bourcard, No. 73. 
Signed on the plate. FINE IMpREsSION, printed on Holland paper. In 
perfect condition. 
Height, 634; width, 3% inches. 


BUHOT, FELIX 


58. Les GaARDIENS DU LoGISs, OU LES AMIS DU SALTIMBANQUE. Ftching and 

Drypoint. 

Bourcard, No. 76. Second State, before height of plate was changed to 
3% inches. 

Stamped on lower margin with the red owl.stamp. BEAUTIFUL IMPREs- 
SION, printed on green ribbed paper. In perfect condition. Only five 
proofs taken in this state. 

Height, 338; length, 4% inches. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


BUHOT, FELIX 


59. Té&res DE Bretons. Etching and Aquatint. 
Bourcard, No. 80. Only State. 
Signed on the lower margin with the red owl stamp. VERY FINE IMPREs- 
SION, printed on heavy ribbed paper. In perfect condition. 
Height, 314; length, 4% inches. 


BUHOT, KFELES 


60. LE CHEVALIER DEsTOUCHES. Lichings. 

Bourcard, Nos. 91-95. 

Set of five subjects, illustrations to “Le Chevalier Destouches” by J. 
Barbey d’Aurevilly. 

No. 91. Le Bruit de Deux Sabots No. 93. A Cette Lueur Sondaine. 
Trainant. No. 94. Je Fis Ce Qu’on Appelle 
No. 92. Le Soir Méme. Un Bon Marché. 
No. 95. On Allume Les Cierges. 

SuPERB SET. Proors with the symphonic marginal sketches, printed on 
Japan and Holland paper. In perfect condition. Mounted along edges 
on heavy Japan mount. 

Height of each, 634; width, 41% inches. 

Together, 5 pieces. [Set.] 


BUHOT, FELIX 
61. UNE VIEILLE MaitresseE. Etchings. 
Bourcard, Nos. 99-108. 
Ten subjects, illustrations to “Une Vieille Maitresse” par J. Barbey 


d’Aurevilly. 
No. 99. Théde Douairiéres. No. 104. Le Criard. 
No. 100. I Promessi Sposi. No. 105. La Blanche Caroline. 
No. 101. Les Adieux. No. 106. Ryno et Hermangarde. 
No. 102. Une Variété dans No. 107. Le Bas-Hamet. 
l’Amour. No. 108. Le Tombeau du Diable. 
No. 103. Caramba, Fit-Elle. 


SuPERB SET. Signed on lower margins in pencil,—Felix Buhot. PRoors, 
with the symphonic marginal sketches, printed on Holland paper. In 
perfect condition. Mounted along edges on heavy Japan mounts. 

Height of each, 678; width, 41% inches. 

Together, 10 pieces. [Set.| 


BUDOT HELIS 


62. LETTRES DE Mon Moun. Liéchings. 
Bourcard, Nos. 109-113. 
Subjects same as following item [No. 63]. SUPERB SET. PROOFS OF THE 
First STATE, printed on Japan paper. In perfect condition. 
Height of each, 7; width, 4% inches. 
Together, 5 pieces. [Set.] 


Sale, Friday Evening, January 13th 


BUHOT, FELIX 


63. LETTRES DE Mon MOuwLIn. Etchings. 

Bourcard, Nos. 109-113. First STATES, before the marginal sketches and 
Aquatint were added. 

Five subjects, illustrations to “Lettres de Mon Moulin” par Alphonse 
Daudet. VERY FINE SET. Titles as follows. 

No. 109. Title, Lettres de Mon No. 111. Le Secret du Maitre 
Moulin. Cornille. 
No. 110. La Diligence de Beaucaire. No. 112. Le Curé de Cucugnan. 
No. 113. Les Vieux. 

Printed on Holland paper. No. 110 signed in pencil,—Premier Etat, 
Felix Buhot; Nos. 112 and 113, signed with the red owl stamp. In perfect 
condition. Mounted along edges on heavy Japan mounts. 

Height of each, 7; width, 4% inches. 

Together, 5 pieces. [Set.] 


BUHOT, FELIX 


64. LETTRES DE Mon Moutin. Eichings. 

Bourcard, Nos. 109-113. 

Subjects same as preceding. SUPERB SET. PROOFS OF THE FINISHED 
STATES, with the Aquatint and the symphonic marginal sketches added. 
Printed on Holland paper, signed on the plates and with the red owl 
stamp. In perfect condition. Mounted along edges on heavy Japan 
mounts. 

Height of each, 7; width, 414 inches. 

Together, 5 pieces. [Set.] 


BUHOT, FELIX 


65. LETTRES DE Mon MOouwtin. Etchings. 
Bourcard, Nos. 109-113. 
Subjects same as preceding. SUPERB SET. PROOFS OF THE FINISHED 
STATES, with the Aquatint and the symphonic marginal sketches added. 
Printed on Japan paper, and signed on the plate. In perfect condition. 
Height of each, 7; width, 4% inches. ; 
Together, 5 pieces. [Set.] 


BUHOT, FELIX 


66. UN GRAIN A TROUVILLE. Fiching. 
Bourcard, No. 122. First State of four. 
Signed on the plate, very fine impression printed on Japan paper. In per- 
fect condition. 
Height, 514; length, 8 inches. 


BUHOT, FELIX 
67. L’EMBARCADERE, TROUVILLE. Etching and Drypoint. 
Bourcard, No. 126. Third State of three. 
Signed in pencil,—Felix Buhot. FINE PRoor with the red owl stamp, 
printed on heavy Holland paper. In perfect condition. 
Height, 734; width, 1076 inches. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


BUHOT, BPELIX 
68. La FETE NATIONALE AU BOULEVARD CLicHy. Etching. 
Bourcard, No. 127. Third State of four. 
Signed in pencil,—Felix Buhot, also pencil dedication to G. Bigot. VERY 
FINE IMPRESSION, printed on heavy Holland paper. In perfect con- 
dition. 
Height, 12%; width, 93 inches. 


BUHOT, FELIX 


69. La FETE NATIONALE AU BOULEVARD CLicuy. Etching and Aquatint. 
Bourcard, No. 127. Fourth State, with the additional work on margin. 
Signed in pencil, Felix Buhot. VERY FINE IMPRESSION, printed on Japan 

paper. Margins slightly rubbed. 
Height, 12%; width, 93% inches. 


From the Tricaud Collection. 


BUHOT, FELIX 


70. L’Hiver A Paris ou La NEIGE A Paris. (A la Place Breda.) Etching and 
Aquatint. 
Bourcard, No. 128. Third State of five. 
Signed,—Felix Buhot. FINE IMPRESSION, printed.on Holland paper. In 
perfect condition. 
Height, 934; length, 1358 inches. 


BUHOT, FELIX 


71. L’Hiver A Paris ou La NEIGE A Paris. (A la Place Breda.) Etching and 
Aquatint. 

Bourcard, No. 128. Third State of five. 

Signed on the plate,—Felix Buhot, Paris, 1879. VERY FINE Proor, with 
the following etched in lower left and right corners, “L’Art” and “L’Hiver 
de 1879 a Paris.” In perfect condition. 

Height, 10; length, 1356 inches. 


BUHOT, .FELIX 


72. L’HIver A Paris ou LA NEIGE A Paris. (A la Place Breda.) Etching and 
Aquatint. 
Bourcard, No. 128. Fifth State of five. 
Signed on the lower margin, in pencil,—Felix Buhot. AN EXTREMELY 
FINE IMPREsSION, printed on heavy Holland paper, with large margins. 
In perfect condition. Marked Proof “No. 2.” 
Height, 10; length, 1358 inches. 


BUHO Trix 


73. LA PLACE PIGALLE EN 1878. Eiching and Aquatint. 

Bourcard, No. 129. Fifth State of five. 

Signed on the plate,—F. B. 1878, and with the red owl stamp. FINE 
IMPRESSION, with the two inserts in the upper right corner. In fine 
condition. 

Height, 914; length, 1334 inches. 


eT 


FELIX BUHOT 
UNE JETTEE, EN ANGLETERRE 
‘[No. 76] 


: 
F 
hd 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


BUHOE, FELIX 


74. PLACE PIGALLE EN 1878. Etching and Aquatint. 
Bourcard, No. 129. Fifth State of five. 
Signed,—Felix Buhot. VERY FINE IMPRESSION, with the red owl stamp, 
printed on Holland paper, in perfect condition. 
Height, 914; length, 1338 inches. 


BUHOT, FELIX 


75. UN DEBARQUEMENT EN ANGLETERRE. Etching and Aquatint. 
Bourcard, No. 130. Fifth State of five. 
Signed,—Felix Buhot. Good impression, with the red owl stamp. In 
perfect condition. 


Height, 1178; width, 7% inches. 


BUHOT ArH 


76. UNE JETTEE EN ANGLETERRE. Drypoint and Aquatint. 

Bourcard, No. 132. Second State of four. 

Signed on the plate with the initials—F. B. VERY FINE Proor, printed 
on China paper, inlaid. With pencil dedication,—A Monsieur T. Fillon, 
devotedly, Felix Buhot. In perfect condition. 

Height, 1134; width, 77% inches. 


[See Illustration] 


BUHOW, FREES 


77. LES PETITES CHAUMIERES. Etching and Aquatint. 

Bourcard, No. 149. Early Trial Proof. 

Impression taken from the plate, showing the subject in Aquatint only, 
before the signature and monogram or any of the etched lines were 
added. In perfect condition. 

Height, 4; length, 53% inches. 


BUHOT, FELIX 


78. Les PETITES CHAUMIERES. Etching and Aquatint. 

Bourcard, No. 149. Fourth State of four. 

Signed on the plate and on lower margin, in pencil,— Felix Buhot. A curi- 
ous impression, printed from the plate after it had been wiped almost 
dry, giving the effect of a proof printed from a lithographic stone. In 
perfect condition. 

Height, 4; length, 538 inches. 


BUHOT, FELIX 


79. Les PETITES CHAUMIERES. Etching and Aquatint. 
Bourcard, No. 149. Fourth State of four. 
Signed on the plate,—Felix Buhot, and with the red owl stamp on the 
lower margin. An extremely fine impression, printed on parchment. 
In perfect condition. 
Height, 4; length, 538 inches. 


Sale, Friday Evening, January 13th 


BUHOT, FELIX 


80, Les PETITES CHAUMIERES. Ftching and Aquatint. 

Bourcard, No. 149. Counter Proof. 

Signed in pencil,—Felix Buhot. Good impression, on Japan paper. In 
the artist’s handwriting below lower plate-mark,—Coutre-épreuve ad 
Vessence. In perfect condition. 

Height, 378; length, 5% inches. 


BUHOT, FELIX 
81. Les GRANDES CHAUMIERES. Etching and Drypoint. 
Bourcard, No. 150. Fourth State of four.. Early Proof, before additional 
drypoint work. 
Signed, Felix Buhot. FINE IMPRESSION, printed in brown ink on Holland 
paper. In perfect condition. 
Height, 5%; length, 1034 inches. 


BUHOT, FELIX 
82. Les GRANDES CHAUMIERES. Etching and Drypoint. 
Bourcard, No. 150. Fourth State of four. 
Signed,—Felix Buhot. VERY FINE Proor, with the red owl stamp, 
printed on French paper. In perfect condition. 
Height, 5%; length, 1058 inches. 


BUHOT-PELIX 
83. LA PETITE MARINE,—SOUVENIR DE Mepway. Fiching and Aquatint. 
Bourcard, No. 153. Fifth State of five. 
Signed,— Felix Buhot. FINE Proor, with the red owl stamp, printed on 


heavy Holland paper. In perfect condition. 
Height, 61%; length, 85 inches. 


BUHOT, FELIX 
84. Le PETIT ENTERREMENT. Etching and Aquatint. 
Bourcard, No. 154. Second State of two. 
Signed with the red owl stamp. Fine IMPRESSION, printed in blue ink, 
on French paper. In perfect condition. 
Height, 338; length, 45 inches. 


BUHOT FELIX 
85. MATINEE D’HIVER SUR LES Quals. Etching. 
Bourcard, No. 158. First Trial Proof. 
Good impression, printed on Holland paper, with a proposed remarque 
drawn on lower plate mark by the artist. In perfect condition. 
Height, 1014; length, 1334 inches. 


BUHOT, FELIX 
86. MATINEE D’HIVER suR LES Quals. Etching and Aquatint. 
Bourcard, No. 158. Fifth State of five. 
Signed, Felix Buhot. VERY FINE IMPRESSION, with the red owl stamp, 
printed in brown ink, on Japan paper. In perfect condition. 
Height, 934; length, 1378 inches. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


BUHOT, FELIX 


87. Lres Esprits DES VILLES Mortes. Etching and Aquatint. 

Bourcard, No. 160. Third State of five, with false margin. 

Signed in pencil,—Felix Buhot. FINE IMPRESSION, printed in brown ink, 
on dark brown prepared paper, margin unfinished, has only a few sketches 
on sides and top, the following title is written in Buhot’s handwriting ,— 
Au dessus des Monts a Travers les prés, les Vents apaisés du Soir, Nuages 
de feu des Cieux diaprés, Perisprits humains nous venons revoir, Legeres 
cohortes qu’emportent, Les vieux clochers des Villes Mortes. In perfect 
condition. 

Height, 13; length, 175 inches. 


BUHOT, PEGLS 


88. Les Esprits DES VILLES MorteEs. Etching. 

Bourcard, No. 160. Counter Froof. 

Good impression, in good condition; Also a proof of the symphonic mar- 
gin, used on the “Baie de St-Malo;” and a reproduction of the fifth state 
of the “La Falaise de Baie de St-Malo.” 

Height, 1144; length, 153 inches. 

Together, 3 pieces. 


BUHOT oh biel x 


89. LEs Esprirs DES VILLES Mortes. Etching and Aquatint. 

Bourcard, No. 160. Fifth State of five. 

Signed under margin, with the red owl stamp. SuPERB PRoor, printed in 
brown ink, on Japan paper. With false margin printed separately and 
laid over print, also in brown ink, on heavy Holland paper. In perfect 
condition. 


Height, 1314; length, 17% inches. 


BUHOT, FEEIX 


go. LE Hisou. THE OwL. Etching and Aquatint. 
Bourcard, No. 161. 
Signed on the lower margin, in pencil,—Felix Buhot. FINE IMPRESSION, 
printed on “papier essencé.” 
Margins broken and print torn in a few places. 
Height, 1738; width, 1234 inches. 


BUHOT, FEI 


gt. LA PLACE DEs MARTYRS ET DA TAVERNE DU BaGNe. Efching. 
Bourcard, No. 163. First state of three. 
Signed in pencil,—Felix Buhot. VERY FINE IMPRESSION, printed on pre- 
pared paper. In perfect condition. 
Height, 1334; length, 1734 inches. 


From the Beurdeley Collection. 


BUHOTPELUX 


92. LA FaLalseE. BAe DE SAINT-MALo. Etching, Aquatint and Drypoint. 
Bourcard, No. 165. Second State of five. 
VERY FINE IMPRESSION, printed in black ink, on heavy Holland paper. 
In perfect condition. 
Height, 9; length, 115 inches. 


[$6 °ON] 
ASIVIVA VI 


LOHIE XIHA 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


PHILIBERT LOUIS DEBUCOURT 


French painter and engraver. Born in Paris, 1755; died at Belleville, in 1832. 


DEBUCOURT, PHIDIBE RT Ow. 
104. Qu’AS TU FAIT?—QUE VAS TU FAIRE? Stipple engravings, printed in colors. 
Signed on the plate,—Dessiné et gravé par P. L. Debucourt. Fine impres- 
sions, with the titles, corners stretched over a cardboard mount, other- 
wise in perfect condition. Rare. 
Height, 1134; width, 8% inches. 
Together, 2 pieces. [Pair.] Framed. 


WILLIAM JACOBSZ DELFF 
Born, 1580; died, 1638. 


DELFF, WILLIAM JACOBSZ 


105. CHRISTIAN DUKE OF BRUNSWICK. Engraving. 
Good impression, with the inscription, cracked and repaired in a few 
places, mounted on a thin board. 
Height, 1478; width, 11% inches. 


H. FANTIN-LATOUR 


FANTIN-LATOUR, H. 
106. VENUS ANADYOMENE. Lithograph. 
Signed on the stone,—L. Fantin. FINE IMPRESSION, on heavy Japan 
paper. In perfect condition. 
Height, 15; width, 11% inches. 


SIR FRANCIS SEYMOUR HADEN 


Eminent English etcher. Born at London, 1848; died there in 1910. President of 
the “Royal Society of Painter Etchers.” 


HADEN, SIR FRANCIS SEYMOUR 
107. KENSINGTON GARDENS. (The Small Plate.) Etching. 
Harrington, No. 12. 
Signed in pencil,—Seymour Haden. FINE Impression. In perfect con- 
dition. : 
Height, 614; width, 454 inches. 


HADEN, SIR FRANCIS SEYMOUR 
108. EGHAM Lock. Etching. 
Harrington, No. 16. Second State of three. 
Signed in pencil,—Seymour Haden. VERY FINE Impression. In perfect 
condition. Published as No. XIII, in “Etudes a l’eau-forte.” 1865. 
Height, 6; length, 876 inches. 


OARS F994 


SIR FRANCIS SEYMOUR HADEN 


THREE SISTERS 


[No. 122] 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


HADEN, SIR FRANCIS SEYMOUR 
109. ON THE TEsT. Drypozint. 
Harrington, No. 20. 
Signed in pencil,—Seymour Haden. FINE IMPRESSION. In perfect con- 
dition. 
Height, 6; length, 9 inches. 


HADEN, SIR FRANCIS SEYMOUR 


110. KIDWELLY Town. Etching. 
Harrington, No. 24. 
Signed in pencil,—Seymour Haden. FINE IMPRESSION. In perfect con- 
dition. : 
Height, 534; length, 834 inches. 


HADEN, SIR FRANCIS SEYMOUR 


III. KENSINGTON GARDENS. (The Larger Plate.) Eiching. 
Harrington, No. 28. Second State of two. 
Signed in pencil,—Seymour Haden. VERY FINE IMPRESSION, printed on 
India paper. In perfect condition. Published in “A selection of Etchings 
by the Etching Club.” 1865. 
Height, 8; width 47 inches. 


HADEN, SIR FRANCIS SEYMOUR 


I12. KENSINGTON GARDENS. (The Larger Plate.) Etching. 
Harrington, No. 28. Second State of two. 
Signed in pencil,—Seymour Haden. Good impression, printed on India 
paper. In good condition. Published in “A selection of Etchings by 
the Etching Club.” 1865. 
Height, 8; width, 47% inches. 
From the W. S. Brough Collection. 


HADEN, SIR FRANCIS SEYMOUR 


113. SHERE MiLt Ponp. (The Small Plate.) Etching. 
Harrington, No. 37. Only PUBLISHED STATE. 
Signed in pencil,—Seymour Haden. FINE IMPRESSION, on Holland paper. 
In perfect condition. 
Height, 4%; length, 65 inches. 


HADEN, SIR FRANCIS SEYMOUR 


114.. DuNDRUM RIVER. Etching. 
Harrington, No. 49. Second State of two. 
Signed on the plate,—Seymour Haden. FINE IMPRESSION, printed on 
India paper. In perfect condition. Published in “Etching for the Art 
Union of London by the Etching Club,” 1872. 
Height, 6; width, 5% inches. 


HADEN, SIR FRANCIS SEYMOUR 


115. NEWCASTLE IN EMLYN. Etching. 
Harrington, No. 62. 
Signed in pencil,—Seymour Haden. FINE IMPRESSION, in perfect condi- 
tion. Published as No. XX in “Etudes a l’eau-forte.” 1865. 
Height, 4%; length, 57 inches. 


AXEL HERMAN HAIG 


MT. ST. MICHEL 
[No. 131] 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


HADEN, SIR FRANCIS SEYMOUR 


116. HOUSE OF THE SMITH. Eiching. 
Harrington, No. 63. 
Signed in pencil,—Seymour Haden. FINE IMPRESSION. In perfect con- 
dition. Published as No. XVIII in “Etudes a l’eau-forte.” 1865. 
Height, 4%; length, 6 inches. 


HADEN, SIR FRANCIS SEYMOUR 


117. KENARTH, SOUTH WALES. Etching. 
Harrington, No. 64. Only Published State. 
Signed in pencil,—Seymour Haden. BEAUTIFUL IMPRESSION. In perfect 
condition. Published as No. II, in “Etudes a l’eau-forte.” 1865. 
Height, 41%; length, 57 inches. 


HADEN, SIR FRANCIS SEYMOUR 
118. KILGAREN CASTLE. Etching. 
Harrington, No. 65. 
Signed in pencil,—Seymour Haden. FINE ImprREssION. In perfect con- 
dition. Published as No. XVII in “Etudes 4a l’eau-forte.” 1865. 
Height, 4%; length, 57 inches. 


HADEN, SIR FRANCIS SEYMOUR 


119. LITTLE Carats PIER. Etching. 
Harrington, No. 98. 
Signed in pencil,—Seymour Haden. FINE IMPRESSION, plate mark and 
margin cracked and repaired. 
Height, 3; length, 6% inches. 


HADEN, SIR FRANCIS SEYMOUR 


120. THE Moat House. Etching. 
Harrington, No. 114. Second State of two. 
Signed in pencil,—Seymour Haden. BEAUTIFUL IMPRESSION, printed in 
brown ink, on Holland paper. In perfect condition. 
Height, 534; length, 83 inches. 


HADEN, SIR FRANCIS SEYMOUR 


121. Harry KELLEy’s PuTNEY. Etching and drypoint. 
Harrington, No. 117. Only Published State. 
Signed in pencil,—Seymour Haden. VERY FINE IMPRESSION, on Japan 
paper. In perfect condition. 
Height, 438; length, 7 inches. 


HADEN, SIR FRANCIS SEYMOUR 


122. [HE THREE SISTERS. Etching. 
Harrington, No. 129. Second State of two. 
Signed in pencil,—Seymour Haden. BEAUTIFUL IMPRESSION on Holland 
paper. In perfect condition. 
Height, 514; length, 814 inches. 


[See Illustration] 


: 
% 
‘3 
a 
’ 
a 
As 
3 
‘ 
a 


AIG 


4 


RMAN HI 


AXEL HE 
INTERIOR OF BUR 


GOS CATHEDRAL 


133] 


[ No. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


HADEN, SIR FRANCIS SEYMOUR 


123. THE THREE SISTERS. Etching. 
Harrington, No. 129. Second State of two. 
Signed in pencil,—Seymour Haden. FINE IMPRESSION, printed on heavy 
Holland paper. In perfect condition. 
Height, 5%; length, 84 inches. 


HADEN, SIR FRANCIS SEYMOUR 


124. BREAKING UP OF THE AGAMEMNON. Liching. 
Harrington, No. 145. 
Signed in pencil,—Seymour Haden. FINE ies printed by Gould- 
ing, and in his handwriting,—“I like this impression very much,” F, 
Goulding Imp. In perfect condition. 
Height, 714; length, 16 inches. 


HADEN, SIR FRANCIS SEYMOUR 


125. IFFLEY MILL. Etching. 
Harrington, No. 146. Only Published State. 
Signed in pencil,—Seymour Haden. FINE IMPRESSION. In perfect con- 
dition. 
Height, 5%; length, 834 inches. 


HADEN, SIR FRANCIS SEYMOUR 


126. THE Poot Dornig. Etching. 
Harrington, No. 158. Second State of two. 
Signed in pencil,—Seymour Haden. FINE IMPRESSION. In perfect con- 
dition. 
Height, 6%; length, 10% inches. 


HADEN, SIR FRANCIS SEYMOUR 


127. CHALLOW FarM. Drypoint. 
Harrington, No. 175. Only Published State. 
Signed in pencil,—Seymour Haden. FINE Impression. In perfect con- 
dition. 
Height, 6; length, 878 inches. 


HADEN, SIR FRANCIS SEYMOUR 


128. A SALMON RIVER. Etching and Mezzotint. 
Harrington, No. 226. 
Signed in pencil,—Seymour Haden. VERY FINE IMPRESSION, printed on 
Holland paper. In perfect condition. 
Height, 458; length, 614 inches. 


HADEN, SIR FRANCIS SEYMOUR 


129. GRAYLING FISHING. Mezzotint. 
Harrington, No. 241. 
Signed in pencil,—Seymour Haden. VERY FINE IMPRESSION, printed 
on Holland paper. In perfect condition. 
Height, 738; length, 11% inches. 


AXEL HERMAN HAIG 
PORTALS OF RHEIMS CATHEDRAL 


134] 


[ No. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


HADEN, SIR FRANCIS SEYMOUR 
130. HAUNT OF THE Mosquito. Mezzotint. 
Harrington, No. 243. Only Published State. 
Signed in pencil,—Seymour Haden. VERY FINE IMPRESSION, printed on 
A. C. L. paper. In perfect condition. 
Height, 6; length, 87 inches. 


HAIG, AXEL HERMAN 
Noted Swedish Etcher: Born on the Island of Gotland, 


HAIG, AXEL HERMAN 


131. Mont St. MIcHEL. Eéching. 
Armstrong, No. 27. 
Signed Artist’s Proof. BEAUTIFUL ImpREssION. In perfect condition. 
Edition limited to 500 proofs. 
Height 3414; width, 24% inches. Framed. 


[See Illustration] 


HAIG, AXEL HERMAN 
132. LIMBURG ON THE LAHN. Etching. 
Armstrong, No. 50. 
Signed Artist’s Proof. FINE IMpREssION, paper slightly toned, otherwise 
in fine condition. Edition limited to 650 proofs. 
Height, 3414; width 24% inches. Framed. 


HAIG, AXEL HERMAN 
132A. PAMPELUNA BRIDGE. RETURNING FROM THE Farr. Etching. 
Armstrong, No. 55. 
Signed Artist’s Proof. FINE IMPRESSION, paper slightly toned. Edition 
limited to 700 proofs. 
Height, 2534; length, 3614 inches. Framed. 


HAIG, AXEL HERMAN 


133. INTERIOR, BURGOS CATHEDRAL. Etching. 

Armstrong, No. 65. 

Signed Artist’s Proof. FINE IMPRESSION, printed on heavy paper, 
which is toned from age, and has a cardboard stain across the top, 
otherwise in fine condition. Edition limited to 500 proofs. 

Height, 2714; width, 1734 inches. Framed. 


[See Illustration] 


HAIG, AXEL HERMAN 
134. PORTALS OF RHEIMS CATHEDRAL. Etching. 
Armstrong, No. 94. 
Signed Artist’s Proof. BEAuTIFUL RicH Proor, printed in brown ink, 
on Japan paper. In perfect condition. Edition of 325 proofs printed. 
Height, 2424; width, 18 inches. Framed. 


[See Illustration] 


Sale, Friday Evening, January 13th 


HAIG, AXEL HERMAN 
135. INTERIOR, AMIENS CATHEDRAL. Ftching. 
Armstrong, No. 98. 
Signed Artist’s Proof. FINE Impression. In perfect condition. Edition 
of 450 proofs printed. 
Height, 2738; width, 1834 inches. Framed in gold. 


HAIG, AXEL HERMAN 


136. DURHAM CATHEDRAL, INTERIOR. Etching. 
Armstrong, No. 99. 
Signed Artist’s Proof. BEAuTiIFUL RicH IMPRESSION, printed in brown 
ink on Japan paper. In perfect condition. Edition limited to 425 proofs. 
Height, 2458; width, 1714 inches. Framed. 


HAIG, AXEL HERMAN 
137. ST. MARK’s, VENICE, EXTERIOR. Etching. 


Armstrong, No. 126. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 


Edition limited to 350 proofs. 
Height, 23%; length 3134 inches. Framed. 


HAIG, AXEL HERMAN 
138. St. GILLES, ARLES: THE BasILica. Etching. 
Armstrong, No. 127. 
Signed Artist’s Proof. FINE IMPRESSION, paper stained in places, other- 
wise in fine condition. Edition limited to 625 proofs. 
Height, 2814; width, 1934 inches. Framed. 


HAIG, AXEL HERMAN 


139. Notre DAME, Paris. Eéching. 
Armstrong, No. 137. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 


Edition limited to 350 proofs. 
Height, 2214; length 31 inches. Framed. 


ALBANY E. HOWARTH 


HOWARTH, ALBANY E. 


140. INTERIOR OF DURHAM CATHEDRAL. Etching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 


Height, 241%; width, 17 inches. 


HOWARTH, ALBANY E. 
141. GATEWAY OF ST. JOHN’s COLLEGE. OxrorbD. Etching. 
Signed Artist’s Proof. FINE IMPRESSION, in perfect condition. 
Height, 1174; width, 734 inches. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


VICTOR HUGO 
HUGO! WIG LOR 
142. L’Ecvair. Etching. 
Signed on the plate,—Victor Hugo, 1568. FINE IMPRESSION, printed on 


Holland paper. In perfect condition. 
Height, 814; width, 534 inches. 


CHARLES JACQUE 


Celebrated French painter and etcher. Born in Paris, 1813; died, 1894. 


JACQUE, CHARLES 


143. Cows IN A Poo. Etching. 

Signed on the plate,—Ch. Jacque, 1850. FINE IMPRESSION, printed on 
Holland paper. In perfect condition. 

Height, 8%; length, 107% inches. 

THE RETURN Home. Etching. 

Signed on the plate,—Ch. Jacque, 1850. FINE IMPRESSION, printed on 
India paper. In perfect condition. 

Height, 4; length, 74%4 inches. 

Together, 2 pieces. 


JACQUE, CHARLES 


144. FARM YARD SCENES, LANDSCAPES, Etc. Etchings. 

Twelve small etchings, nine by Jacque and three etched after his paintings. 
Subjects represent,—Farm Yard Scenes, Tavern Interiors, Landscapes, 
and Interiors. All fine impressions, in fine condition. 

Together, 12 pieces, various sizes about 2% x 4% inches. 


JACQUE, CHARLES 


145. THE SINGERS. Etching. 
Signed on the plate,—Ch. Jacque. FINE IMPRESSION, trimmed to the print- 
ed surface. 
Height, 1438; width, 12% inches. 
THE SMOKER. Etching. 
Signed on the plate,—Ch. Jacque, 1849. Good impression, printed on 
plate paper, in fine condition. 
Height, 8%; width, 6% inches. 


LEON JACQUE 


French etcher of the Nineteenth Century. 


JACQUE, LEON 
146. LANDSCAPES. Etchings. 
Collection of Nine Etchings, Subjects represent,—Landscapes, Farm 
Yard scenes, and work on the farm. ALL FINE PRoors, in fine condition. 
Together, 9 pieces, various sizes, about 6 by 9 inches. 


Sale, Friday Evening, January 13th 


JACQUE, LEON 
147. LANDscAPES. Etchings. 
Collection of Ten Etchings. Subjects represent,—Landscapes, Farm Yard 
scenes, and work on the farm. ALL FINE PrRoors. In fine condition. 
Together, 10 pieces, various sizes, about 6 by 9 inches. 


ALPHONSE LEGROS 


Celebrated French painter and etcher. Born at Dijon, 1837; died, 1o11. 


LEGROS, ALPHONSE 
148. THE DEATH oF St. FRANCIS. Efching. 
Malassis, No. 56. 


Signed in pencil,—A. Legros. FINE IMpREsSION. In perfect condition. 
Height, 7%; length, 115 inches. 


EPrienUs, ALPHONSE 
149. LE Mouton REtrOvvVE. Etching. 
Malassis, No. 86. 
Signed in pencil,—A. Legros. FINE IMPRESSION, printed on Holland paper 


In perfect condition. 
Height, 1614; width, 1214 inches. 


LEGROS, ALPHONSE 
150. LA PECHE ALA TRUBLE. Etching. 
Malassis, No. 90. 


Signed in pencil,—A. Legros. Good impression, in good condition. 
Height, 57%; length, 77% inches. 


LEGROS, ALPHONSE 
151. Les FAISEURS DE Facots. Etching. 
Malassis, No. 182. 
Signed in pencil,—A. Legros. Good impression, has tear in lower margin, 
repaired. 
Height, 15; width, 107% inches. 


LEGROS, ALPHONSE 
152. SINBAD LE Marin. Etching. 
Malassis Supplement, No. 482. 


Signed in pencil,—A. Legros. FINE IMPRESSION. In perfect condition. 
Height, 744; width, 534 inches. 


LEGROS, ALPHONSE 


153. HEALING THE SICK. Etching. Os 
Signed in pencil,—A. Legros. FINE ImprREssION. In perfect condition. 
Height, 8%; length, 1158 inches. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


AUGUSTE LEPERE 


Contemporary French etcher. 


LEPERE, AUGUSTE 
154. L’ABREUVOIR AU Pont Marig, Paris. Eiéching. 


Signed on the plate. Good impression, in good condition; also, a Proof 
on India paper of Lalanne’s etching, “Poplars Near Amiens;” and 


a Proof of Jacque’s drypoint, “Le Bonne Compagnée.” 
Together, 3 pieces, various sizes about 6 x 9% inches. 


JAMES MCBEY 


Contemporary Scotch etcher. 


McBEY, JAMES 
155. THE SHOWER. Drypoint. 


Signed in ink,— James McBey. BEAUTIFUL IMPRESSION, marked No. XVII. 


In perfect condition. 
Height, 734; length, 1238 inches. 


DONALD SHAW MACLAUGHLAN 


Contemporary American etcher. Born in Canada, 1876. 


MacLAUGHLAN, DONALD SHAW 
156. A VENETIAN NOONTIDE. Fiching. 


Signed in pencil,—D. Shaw MacLaughlan. VERY FINE IMPRESSION. 


perfect condition. 
Height, 934; length, 115% inches. 


CHARLES MERYON 


Celebrated French etcher. Born in Paris in 1821; died there in 1868. 
MERYON, CHARLES 


157. LE MINISTERE DE LA MARINE. Etching. 
Deltail, No. 45. 


Signed on the plate with the monogram,—C. M. FINE IMPRESSION, 


printed on French ribbed paper. In perfect condition. 
Height, 614; width, 534 inches. 


MERYON, CHARLES 
158. L’ANCIEN LOUVRE DU COTE DE LA SEINE. Etching. 
Delteil, No. 53. 


Signed on the plate,—Gravé par C. M. 1866—Peint par R. Zeeman. 
BEAUTIFUL IMPRESSION, printed in brown ink on green paper. In per- 


fect condition; also copy of “Notre Dame.” 
Height, 5%; length, 95 inches. 
Together, 2 pieces. 


In 


Sale, Friday Evening, January 13th 


MERYON, CHARLES 
159. Le MINISTERE DE LA MARINE. Etching. 


Delteil, No. 45. 
Signed on the plate,—Meryon, sculp. Good impression, with the title, 


publishers name and address. In fine condition. 
Height, 644; width, 534 inches. 
Résus. Etching. 


Delteil, No. 101. 
Signed on the plate,—C. M. fecit 1863. FINE IMPRESSION, with the in- 


scription, in fine condition. 
Height, 1138; width, 47 inches. 
LE PAVILLON DE MADEMOISELLE ET UNE PARTIE DU Louvre. Etching. 


Delteil, No. 9. 
Signed on the plate,—C. Meryon, after Zeeman. Good impression, in 


good condition. 
Height, 514; length, 95 inches. 
Together, 3 pieces. 


FREDERIC REGAMEY 


French illustrator and etcher. Born in Paris in 1851. 


REGAMEY, FREDERIC 


160. LANDSCAPES AND FIGURES. Etchings. | 
Fight etchings by Régamey, done to illustrate “Victor Hugo”; also, Land- 
scape etching by Howard; and a landscape etching by Valknar. All 
good impressions in good condition. 
Together, 11 pieces, various sizes about 4 by 8 inches. 


FRANK SHORT 


Contemporary English etcher and mezzotinter. Born at London in 1857. 


SHORT, FRANK 


161. A SILVER TIDE. Aquatint. 
Signed in pencil,—Frank Short. FINE IMpREssIoNn. In perfect condition. 


Height, 6; length, 9 inches. 


SHORT, FRANK 


162. BELLINZONA, ON THE ROAD TO LOCARNO. Aquatint. 
After Turner. Signed in pencil,—Frank Short. FINE PRoor, marked by 


the artist,—Early working proof. In perfect condition. 
Height, 8; length, 934 inches. 


SHORT, FRANK 


163. THE CHURCH AT KAMPEN. Fiching. 
Signed in pencil,—Frank Short. FINE IMPRESSION. In perfect condition. 


Height, 5%; length, 778 inches. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


LUCAS VAN LEYDEN 


Early German engraver. Born in Leyden in 1494; died in 1533. 


VAN LEYDEN, LUCAS 
164. ADAM AND EvE. Engraving. 
Bartsch, No. 8. 
Signed on the plate with the monogram and date,—“L. 1579”. FINE 
IMPRESSION. In perfect condition. 
Height, 458; width, 234 inches. 
From the Alfred Morrison collection. 


ANDERS ZORN 


Swedish painter and etcher of note. Born at Moa in Dalecarlia, in 1860. 


ZORN, ANDERS 


165. MME. Simon. Efching. 
Delteil, No. 66. 
Signed on the plate. Good impression, with the stamp of Ed. Sagot, Paris. 
In perfect condition. 
Height, 938; width, 638 inches. 


ZORN, ANDERS 


166. St. GAUDENS AND His MopE.. Etching. 
Delteil, No. 111. 
Signed in pencil,—Zorn. Good impression, printed on French paper. In 
perfect condition. 
Height, 538; length, 734 inches. 


ZORN, ANDERS 


167. DANCE AT Gopsmor. Etching. 
Delteil, Supplement, No. 272. 
Signed in pencil,—Zorn. FINE IMPRESSION. In perfect condition. 
Height, 11%; width, 7% inches. 


JAMES ABBOTT McNEILL WHISTLER 


Celebrated American painter and etcher. Born in Lowell, Mass., in 1834, died 
in London in 1903. “All his work is alike—perfect. It has only been produced 
under different circumstances and is an attempt to render different effects or 
situations. Therefore the methods vary, but the results are always the same— 
great. The greatest, most perfect, as a whole, that any etcher has ever accom- 
plished.” JOSEPH PENNELL. 


WHISTLER, JAMES ABBOTT McNEILL 
168. ANNIE. Etching. 
Kennedy, No. 10. . Fifth State of five. 
Signed on the plate,—Whistler. FINE IMPRESSION, printed in brown ink on 


French paper. In perfect condition. 
Height, 454; width, 31% inches. Framed. 


2 
¢ 
ee! 
: 
‘ 
z 


AAAS 


ineiie tar Lang 


Ss Os ali Ma EM 


JAMES ABBOTT McNEILL WHISTLER 


BECQUET 
[ No. 


181] 


Kindly read the conditions under which every item rs offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 
169. LA MERE G&éRARD. Fiéching. 

Kennedy, No. 11. Fourth State of four. 

Signed on the plate,—Wzhistler. VERY FINE IMPRESSION, printed in brown 
ink, on old French paper, wide margins. In perfect condition. One of 
the “Twelve Etchings from Nature.” 

Height, 47%; width, 314 inches. Framed. 


For the Original Painting, See No. 214. 


WHISTLER, JAMES ABBOTT McNEILL 


170. FUMETTE. Etching. 

Kennedy, No. 13. Fifth State of five. 

Signed on the plate,—Whztstler. FINE IMPRESSION, printed in brown ink, 
on old French paper. In perfect condition. One of the “[welve Etchings 
from Nature.” 

Height, 638; width, 4% inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
171. LIVERDUN. Etching. 
Kennedy, No. 16. Second State of two. 
Signed on the plate,— Whistler. FINE IMPRESSION, in brown ink, on French 
paper. In perfect condition. 
Height, 414; length, 6 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


172. DoGON A KENNEL. Etching. 
Kennedy, No. 18. Only State. 
Signed on the plate,—Whzstler. FINE IMPRESSION, printed in brown ink on 
Japan paper. In perfect condition. 
Height, 234; length, 3% inches. 


WHISTLER, JAMES ABBOTT McNEILL 


173. LA VIEILLE AUX LOQUES. Etching, 
Kennedy, No. 21. Third State of three. 
Signed in pencil, with the Butterfly. SUPERB EARLY PRoor, printed in 
brown ink on French paper. In perfect condition. One of the “Twelve 
Etchings from Nature.” 
Height, 84; width, 534 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 


174. THE Music-Room. Etching. 
Kennedy, No. 33. Second State of two. 
BEAUTIFUL PrRoor, printed in brown ink, on French paper. In perfect 
condition. 
Height, 5 11/16; length, 8 5/16 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 


175. LANDSCAPE WITH Two Horses. Etching. 
Kennedy, No. 36. Second State of two. 
Signed on the plate,—Whistler. FINE IMPRESSION, printed in brown ink, 
on French paper. In perfect condition. 
Height, 5; length, 8 inches, 


are 


% 


fae Unecennonnnnstieasenientaay 


JAMES ABBOTT McNEILL WHISTLER 
ROTHERHITHE 
[ No. 183] 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 


176, EAGLE WHARF. Etching. 

Kennedy, No. 41. Only State. 

Signed on the plate,—Whistler, 1859. VERY FINE IMpREsSION, of the Ellis 
and Green printing. In perfect condition. One of the “Sixteen Etch- 
ings.” 

Height, 534; length, 838 inches. 


WHISTLER, JAMES ABBOT? MceNRIEE 


177. LONGSHOREMEN. Etching. 
Kennedy, No. 45. Only State. 
Signed in pencil, with the Butterfly. AN EXTREMELY FINE EARLY PRoor, 
printed in brown ink, on French paper. In perfect condition. 3 
Height, 578; length, 834 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 


178. SouPE A Trors Sous. Etching. 
Kennedy, No. 49. Only State. 
Signed in pencil, with the Butterfly. SUPERB EARLY IMPRESSION, printed 
in black ink, on French paper. In perfect condition. 
Height, 574; length, 874 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
179. BrB1 VALENTIN. FEitching. 
Kennedy, No. 50. Second State of two. 
Signed in pencil, with the Butterfly. AN EXTREMELY FINE EARLY PROOF, 
printed in rich brown ink, on Japan paper. In perfect condition. 
Height, 6; length, 87% inches. Framed. 


WHISTLER, JAMES ABBOTT McNEIEL 
180. BrB1 LALOUETTE. Fiching. 
Kennedy, No. 51. Second State of two. 
Signed in pencil, with the Butterfly. BEAUTIFUL EARLY PRoor, printed 
in rich brown ink, on French paper. In perfect condition. 
Height, 9; width, 6 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
181. BrcqguetT (The Fiddler). Eétching. 

Kennedy, No. 52. Third State of four, with the lower edge of the plate 
cleaned and before some of the drypoint lines at the sides and bottom 
were deepened. 

AN EXTREMELY FINE IMPRESSION, printed in black ink, on French ribbed 
paper. Has small rust stain on surface, about one inch from right 
margin, otherwise in perfect condition. One of the “Sixteen Etchings.” 

Height, 10; width, 7% inches. Framed. 


[See Illustration] 


[T ON—VAIa AHL 


UATOSIHM TITANPW LOOPY SHNVE 


Kindly read the conditions under which every rtem rs offered : 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 


182. BEcoueT (The Fiddler). Etching. 
Kennedy, No. 52. Fourth State of four. 
FINE IMPRESSION, printed on thin Japan paper. In perfect condition. One 
of the “Sixteen Etchings.” 
Height, 10; width, 75 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


183. ROTHERHITHE. Etching. 
Kennedy, No. 66. Third State of three. 
Signed in pencil, with the Butterfly. VERY FINE EARLY PrRoor, printed 
in brown ink, on old French paper. In perfect condition. One of the 
“Sixteen Etchings.” 
Height, 1034; width, 734 inches. Framed. 


[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 
184. THE ForGE. Drypotnt. 
Kennedy, No. 68. Fourth State of four. 
Signed in pencil, with the “Butterfly.” FINE RicH EARLY Proor, printed 
in black ink on French paper. In perfect condition. One of the “Sixteen 
Etchings.” 
Height, 758; length, 1238 inches. Framed. 


In the summer of 1861 Whistler was in France, painting The Coast of Brittany. 
At this time, while at Perros Guirec, he made this splendid drypoint. 


WHISTLER, JAMES ABBOTT McNEILL 


185. THE “ADAM AND EVE,” OLD CHELSEA. Liching. 
Kennedy, No. 175. Second State of two. 
Signed in pencil, with the Butterfly. BEAUTIFUL EARLY PRoor, printed 
in brown ink, on Japan paper. In perfect condition. 
Height, 676; length, 1178 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
186. THE Riva No. 1. Etching. 

Kennedy, No. 192. Third State of three. 

Signed in pencil, with the Butterfly, imp. BEAUTIFUL PRoor, printed by 
Whistler, in brown ink. In perfect condition. One of the “Twelve 
Etchings,” Venice. 

Height, 77%; length, 11% inches. Framed. 


[See Illustrations] 


WHISTLER, JAMES ABBOTT McNEILL 


187. La SaALuTE: Dawn. Etching. 

Kennedy, No. 215. Fourth State of four. 

Signed in pencil, with the Butterfly, imp. VERY FINE IMPRESSION, printed 
by Whistler, in brown, with very little tone. In perfect condition. One 
of the “T'wenty-Six Etchings,” Venice. 

Height, 478; length, 77% inches. Framed. 


JAMES ABBOTT McNEILL WHISTLER 
STUDY IN THE SEMI-NUDE 


| [No. 197] 


Kindly read the conditions under which every item ts offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 
188. THE MEmMPES CHILDREN. Etching. 
Kennedy, No. 261. Only State. 
Signed on the plate with the Butterfly. FINE IMPRESSION, printed in brown 
ink, on French paper. In perfect condition. 
Height, 254; length, 4 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
189. EARLY MORNING, BATTERSEA. Lithotint. 
Way, No. 7. 
Signed on the stone with the, Butterfly. In perfect condition. 
Height, 6%; length, 1014 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
190. VICTORIA CLUB. Lithograph. 
Way, No. I1. 
Signed on the stone with the Butterfly. FINE ImprEssIon. In perfect 


condition. 
Height, 8; width, 53 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


191. VITRE—THE CANAL, IN Brittany. Lithograph. 
Way, No. 39. 
Signed in pencil, with the Butterfly. FINE EARLY Proor, printed by Way. 
In perfect condition. 
Height, 9%; width, 576 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 


192. NuDE MopEL RECLINING. Lithograph. 
Way, No. 47. 
Signed in pencil, with the Butterfly. AN EXTREMELY FINE EARLY Proor, 
printed by Way. In perfect condition. 
Height, 41%; length, 834 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 


193. LA JoLiE NEw YorKAISsE. Lithograph. 
Signed in pencil, with the, Butterfly. FINE EARLY ImPREssION, printed by 
Way. In Whistler’s handwriting at the bottom is the title,—“La Jolie 
New Yorkatise, Louis Quinze,” and also a pencil dedication to,—“ William 
Heinemann.” In perfect condition. 
Height, 9; width, 6 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
194. STEPHANE MALLARME. Lithograph. 
Way, No. 66. 
Signed on the stone with the Butterfly. Good impression, in perfect 
condition. 
Height, 334; width, 234 inches. 


Drawn for a frontispiece to the poet’s works. 


JAMES ABBOTT McNEILL WHISTLER 


STUDY TN DRAPED FIGURE 


[No. 198] 


Kindly read the conditions under which every item vs offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 


195. THE SMITH, PASSAGE DU DRAGON. Lithograph. 
Way, No. 73. 
Signed on the stone with the Butterfly. FINE EARLY IMPRESSION. In 
perfect condition. 
Height, 1058; width, 678 inches. Framed. 


WHISTLER;, JAMES ABBOT teMcN iiss 


196. THE THAMES. Lithotint, done on one stone. 
Way, No. 125. 
Signed in pencil, with the Butterfly. VERY FINE EARLY IMPRESSION, printed 
by Way. In perfect condition. 
Height, 10%; width, 758 inches. Framed. 


WHISTLER, JAMES: ABBOTT McNEILL 
197. DRAPED FIGURE STANDING. Lithograph, in colors. 
Way, No. 155. 
Signed on the stone with the Butterfly. BEAUTIFUL PROooF, printed on 
Japan paper, in colors of grey, flesh, red, and green. Printed in Paris. 
In-perfect condition. EXTREMELY RARE. 
Height, 87%; width, 4% inches. Framed. 


This particular proof is described in Mr. Way’s catalogue, of Mr. Whistler’s 
Lithographs. : 
[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 
198. DRAPED FIGURE RECLINING. Lithograph, in colors. 
Way, No. 156. 
Signed on the stone with the Butterfly. BEAUTIFUL PROOF, printed on 
Japan paper, in colors of grey, green, flesh, blue and purple. Printed in 
Paris. In perfect condition. EXTREMELY RARE. 
Height, 634; length, 1o inches. Framed. 


[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 


199. NuDE StupiEs. Lithographs. 
Set of four lithographs by Nicholson, after Whistler’s pastels. 
Height of each, 534; width, 234 inches. 
Together, 4 pieces. 


WHISTLER, JAMES ABBOTT McNEILL 


200. NuDE MODEL STANDING. Reproduction in colors. 
Lithographic reproduction of a Whistler pastel, made by T. R. Way. 
Height, 734; width, 334 inches. Framed. 


Used as an illustration in Mr. Theddre Duret’s book on Whistler. 


WHISTLER, JAMES ABBOTT McNEILL 


201. WHISTLER’S MOTHER. Colored reproduction. 
Height, 14; length, 16 inches. Gilt frame. 
Reproduction of the original painting, in the Musée du Luxembourg. 


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Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 
202. CICELY HENRIETTA, Miss ALEXANDER, Harmony in Grey and Green. Color 
reproduction. 
Height, 2034; width, 11 inches. Gilt frame. 


A reproduction in exact colors of the original painting, now in the National 
Gallery at London, Commissioned by W. C. Alexander. 


WHISTLER, JAMES ABBOTT McNEILL 
203. CREMORNE GARDENS, No. 2. Colored reproduction. 


Reproduction of the original painting, in the possession of T. R. Way, Esq. 
Height, 10; length, 20% inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 


204. GIRL IN PINK. Portrait of a Young Girl. Color reproduction. 
Height, 1114; width, 6% inches, somewhat damaged by water. Gilt frame. 


WHISTLER, JAMES ABBOTT McNEILL 
205. NuDE MODEL SEATED. Pastel in colors. 

Signed with the Butterfly. A nude full length, seated on a chair, with 
her left leg crossed over her right. The drawing is on heavy brown 
paper, the model is outlined in black and heightened in white, pink, 
and brown; other colors introduced are, red, blue, and yellow. In per- 
fect condition. 

Height, 1014; width, 634 inches. Framed. 

[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 
206. PORTRAIT OF A LADY READING. Pen-and-Ink sketch. 
Signed with the Butterfly. 
Full length portrait of a lady holding a book. In Whistler’s handwriting 
on right margin, is the following,—“Un aprés midi chez Van Dyck,” 
Aug. 10, 1900. 
Height, 744; width, 4% inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
207. STUDY OF THE NuDE. Pen-and-ink sketch, on note paper. 
Height, 4%; width, 2% inches. Framed. 
A beautiful little sketch, showing the nude figure of a youthful female 
model, with her arms stretched upwards holding to draperies. 
[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 
208. FULL LENGTH PORTRAIT OF WHISTLER. Woodcut, in colors. 
By William Nicholson. Signed in full, and dated, 1887. 
Height, 934; width, 9 inches. Framed. 
Exhibited at the Franco-British Exhibition, London, 1908. 


WHISTLER, JAMES ABBOTT McNEILL 
209. PORTRAIT OF WHISTLER. Photograph. 


Full length, seated in armchair in his studio. Taken from life. 
Height, 1014; width, 734 inches. Framed. 


207 ] 


JAMES ABBOTT McNEILL WHISTLER 
STUDY OF THE NUDE 
[ No. 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 


210. PORTRAIT OF WHISTLER. Photograph. 
Taken from life by M. Dornac. Full length, standing beside his engraving 
and printing press in his studio, Rue Notre-Dame-Des-Champs. 
Height, 1034; width, 8 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 


211, PORTRAIT OF WHISTLER. Photograph. 
Taken from life, full length, seated on lounge in his studio. 
Height, 734; length, 1014 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 


212. PORTRAIT OF WHISTLER. Photogravure. “ 

FINE PRroor IMprREssIoN, with wide margins, two of which are uncut, and 
with the following autograph inscription by Whistler,—“To Walliam 
Heinemann, Graceful host and bold publisher, with affection.” Signed 
with the Butterfly. 

Height, 534; width, 35% inches. White frame. 


WHISTLER, JAMES ABBOTT McNEILL 


213. YOUNG GIRL SEATED AT A WINDOW. Oil painting on panel. 

Signed with the Butterfly. Very FINE PaInTING of a young girl seated, 
and reading, in right corner of window seat, directed towards the left, 
with right leg crossed over left knee. Long velvet curtains drawn and 
fastened on each side. Landscape vista can be seen through the window. 
Colors, white, light and dark green, yellow, brown, pink and blue. 

Height, 914; width, 734 inches. Framed. 


Not mentioned in Pennell’s “Life of Whistler,” or of having been reproduced. 


[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 


| 214. LA Mrre Gérarp. Oil painting. 
PA / Vale, Signed in lower right corner,—Whistler. Three-quarter length, seated 
: and holding flower in her left hand. Painted on heavy cardboard. 
Height, 1134; width, 814 inches. Framed in gold. 
This is the identical painting regarding which Mr. J. Pennell in his Life of James 
McNeill Whistler, writes,— 
“Another figure was La Mére Gérard. She was old and almost blind, was said to 
have written verse. . . She sold violets and matches at the gate of the 
Luxembourg. She was very paintable as she sat huddled up on the steps, and he 
got her to pose for him many times. . . They used to chaff him about her in 
the Quarter. Once, Lalouette invited all his clients to spend a day in the country, 
and Whistler accepted on condition that he could bring La Mére Gérard. She 
arrived, got up in style, sat at his side in the carriage in which they all drove off, 


and grew livelier as the day went on. He painted her in the afternoon.” R f 
, Lhe 


Accompanying the above is a Signed Autograph Letter from T. Watts 
Pines, Putney Hill, S. W., dated, June 3, Ig12, written to Mr. Heinemann and 
relative to the above painting, which reads,— 


“I enclose you receipt for 150, the price of Whistler's ‘La Mére Gérard.’ I do not think 
I am at all likely to come across any letter referring to it from Whistler. fi 


For the Etched plate, See No. 160. 


[See Frontispiece for Illustration] 


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JAMES ABBOTT McNEILL WHISTLER 
iG IN OILS 


PAINTI 
[ No. 213 ] 


Kindly read the conditions under which every item is offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 


215. THE PATH OVER THE HILL. Oil painting on canvas, mounted on cardboard. 
A beautiful little landscape, with a path leading up over the hill on which 
a lady is walking; there are two other figures on the hillside, in the 
background are some trees and tall bushes, with a clear sky. Painted in 
brown, green, blue, and yellow. Signed with the butterfly, in lower 
right corner. 
Height, 35%; length, 714 inches. In gilt Whistler frame. 


Note: This and the following 17 items were obtained by Mr. Thomas C. Hepp of 
Looe, Cornwall, England, from his father Thomas Hepp, who obtained them by 
purchase from Val C. Prinsep, R. A., (son-in-law of Mr. F. R. Leyland) a very old 
and close friend of Whistler’s and who wrote the latter’s biography. As the letter 
shows, Mr. Prinsep obtained them direct from Mr. Whistler, without the artist’s 
knowledge as to whom they were intended for. The Herbert Johnson referred to 
in the letter was a cousin of the younger Mr. Hepp, and an artist who went to 
India with Mr. Prinsep when Edward, Prince of Wales, went there on his tour. 

The letter, which refers to-all of these 18 paintings, will be sold with the present 
item. It is a one-page 4to Signed Autograph Letter, dated from “Holland Park 
Road, Addison Rd. London, W. 15th July 1874,” and reads as follows,— 

“Dear Tom. 


“Atlast I have obtained for you the twenty ‘Whistler’ sketches you have so much desired 
and which you were so greatly bitten to possess. 


“Be sure to keep from Mac my part in the maiter. You know how touchy he is, and your 
friendship with Ruskin would make him bitierly regret pariing with his sketches. 


“As to price, supposing we agree on £30 you can give me this when we meet at the club. 


“Have you heard from Herbert Johnson recently. I haven't met him since our Indian 
trip. Hope to see you soon. 


“Yours always 
“Val. C. Prinsep.” 


WHISTLER, JAMES ABBOTT McNEILL 


216. MAN AND WOMAN SEATED ON A BENCH READING A NEWSPAPER. Oil painting 
on heavy cardboard. 

Two figures seated on a slate colored bench alongside an open gate; 
the background is of dark and light green, with an- orange and slate 
colored sky. The lady has on a white skirt with a brown velvet waist 
and a hat trimmed with a brown ribbon, the man a dark brown suit and 
hat. This is a charming and interesting little painting, both in com- 
position and color. ; 

Height, 638; length, 734 inches. In gilt Whistler frame. 

See note to No. 215 

[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL : 
217. NOCTURNE. Cul painting on wood panel. 
A study of sky, clouds, and water. 
Height, 5; length, 814 inches. In gilt Whistler frame. 


See note to No, 215. 


WHISTLER, JAMES ABBOTT McNEILL 


218. NOCTURNE. Ou¢l painting on canvas. 
Study of sky, land and water, colors arranged so as to give the effect 
of a Nocturne. 
Height, 734; length, 1034 inches. In gilt Whistler frame. 


See note to No. 215. 


[913 ON] 
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Kindly read the conditions under which every item vs offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 


219. PORTRAIT OF A LADY READING. Oz! painting on heavy cardboard. 
Three-quarter-length portrait of a lady with auburn colored hair, standing 
holding a newspaper or magazine, in a grey dress trimmed in black, 
with a white ruffle at the neck, and a black hat trimmed with a white 
feather. Painted on a dark brown background. A very interesting and 
finished painting. 
Height, 9%4; width, 554 inches. In gilt Whistler frame. 


See note to No. 215. 


WHISTLER, JAMES ABBOTT McNEILL 


220. FisHING Boats. Oil painting on wood panel. 

A scene, probably at Billingsgate, of a number of fishing boats moored 
alongside the wharfs. A very interesting and finished painting, show- 
ing the masts of the fishing boats, in the background and on the other 
side of the river the warehouses and buildings, beautifully drawn. In 
the foreground are a few barrels and some fishermen. 

Signed with the butterfly, in the lower left corner. 

Height, 354; length, 734 inches. In gilt Whistler frame. 


See note to No. 215. 


WHISTLER, JAMES ABBOTT McNEILL 


221. NuDE MopEt BATHING. Oil painting on cardboard. 

A night scene in the woods, a nude young lady seated on the bank with 
her right foot in the water. An interesting little study, done on a dark 
background; the model, painted in light brown, stands directly in the 
light of the moon, which is shining through the trees. Signed with the 
butterfly, in lower right corner. 

Height, 538; length, 678 inches. In gilt Whistler frame. 


See note to No. 215. 


WHISTLER, JAMES ABBOTT McNEILL 


222. LANDSCAPE WITH TREES. Oil painting on canvas mounted on cardboard. 

A charming little landscape; in the foreground is a heavy clump of bushes, 
in the center a low meadow with pools of water, and in the distance 
trees and heavy foliage against a yellow sky. Painted in yellow, green, 
light and dark brown. 

Height, 714; width, 334 inches. In gilt Whistler frame. 


See note to No. 215. 


WHISTLER, JAMES ABBOTT McNEILL 


223. WHEAT FIELD. Oil painting on canvas. 

Beautiful composition, in the foreground a wheat field in bloom, on the 
outer edge a line of trees, bushes and farm houses, against a lightly 
clouded sky. 

Height, 8; length, 1014 inches. In gilt Whistler frame. 


See note to No. 215. 


[Fs “ON ] 
DNILNIVd TIO 


UATLISIAM TITANON LLOPAV SANVE 


Kindly read the conditions under which every rtem is offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 
224. LANDSCAPE WITH LAKE. Ou! painting on cardboard. 

A charming landscape with lake in the middle distance, on which two 
boats can be seen; on the shore in the foreground there are two figures, 
and to the left a clump of bushes, the sky is heavily clouded. Painted 
in light and dark brown, light green, orange, grey white, and blue. 
Signed with the butterfly, in lower right corner. 

Height, 5; length, 844 inches. In gilt Whistler frame. 

See note to No. 215. 

[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 


225. LANDSCAPE WITH FARM HOUSE AND TREES. Watercolor. 

A charming landscape, showing a low rambling farm house set in the mid- 
dle distance behind three large trees against a light sky. The house is 
tinted in brown, light brown, pink, and orange; the trees in green, the 
sky in light blue, and the entire foreground in light green. Signed with 
the butterfly, drawn in dark green, in lower right corner. 

Height, 634; length, 1014 inches. In gilt Whistler frame. 


See note to No. 215. 


WHISTLER, JAMES ABBOTT McNEILL 


226. THE MOUNTAINSIDE. Watercolor. 

A beautiful drawing, showing a road leading up the mountainside; 
across the valley there rises a taller mountain, which is drawn in purple 
and light blue against a blue and white sky; the hillside is in brown, 
light and dark green, with a touch of pink and blue. Signed with the 
Lutterfly in lower left corner. 

Height, 1158; width, 938 inches. In gilt Whistler frame. 


See note to No. 215. 


WHISTLER, JAMES ABBOTT McNEILL 


227. LANDSCAPE WITH A LAKE. Watercolor. 

A charming landscape with a lake in the middle distance; the distant 
shore, on which there are trees and some cottages, is drawn in grey 
against a solid grey and blue sky; the foreground is in dark and light 
brown with a light sky overhead. Signed with the butterfly in lower 
right corner. 

Height, 444; length, 10 inches. In gilt Whistler frame. 


See note to No. 215. 


WHISTLER, JAMES ABBOTT McNEILL 


228. SUNSET. Watercolor. 

Study showing the water, a solid green, and in the distance resting on the 
water a solid batch of blue clouds, above which the brilliant glow from 
the sunset can be seen. Signed with the butterfly in lower left corner. 

Height, 414; length, 7%4 inches. In gilt Whistler frame. 


See note to No. 215. 


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Kindly read the conditions under which every item rs offered 
and sold. They are printed in the forepart of the catalogue. 


WHISTLER, JAMES ABBOTT McNEILL 


229. MOuNTAIN LANDSCAPE. Watercolor. 

A beautiful landscape with a rolling hill-top in the foreground, drawn in 
yellow, brown, and green, a ridge of dark blue mountains in the distance 
against a light blue sky. The brilliancy of the colors on the sunlit hill- 
top and a slight indication of a mountain to the left center, against the 
dark ridge in the distance gives this drawing a wonderful perspective. 
Signed with the butterfly drawn in brown and pink, in lower left corner. 

Height, 9%; length, 13% inches. In gilt Whistler frame. 


See note to No. 215. 


WHISTLER, JAMES ABBOTT McNEILL 


230. ON THE END OF THE PIER. Watercolor. 

A beautiful little water scene full of sunlight; in the middle distance to the 
left stands the end of a pier on which a number of people are sitting, off the 
end of the pier there is a sail boat and in the distance four more can be 
seen; the brilliancy of the sun can be noted on the water in the foreground 
and by the reflection of the pier in the water underneath. Signed with 
the butterfly in the lower right corner. 

Height, 54; length, 674 inches. In gilt Whistler frame. 

See note to No. 215. 

[See Illustration] 


WHISTLER, JAMES ABBOTT McNEILL 


231. LANDSCAPE WITH LAKE IN FOREGROUND. Watercolor. 

An evening scene showing the sunet, and a heavily clouded sky, the land- 
scape is hilly with a lake in the foreground on which rests a number of 
sail boats. Drawn in brown, yellow, purple, grey, pink, and blue. 
Signed with the butterfly, in lower right corner. 

Height, 454; length, 1238 inches. In gilt Whistler frame. 


See note to No. 215. 


WHISTLER, JAMES ABBOTT McNEILL 


232. CLOUDS AND Sky. Watercolor. 
An interesting little study of an arrangement of clouds. 
Height, 444; length, 1014 inches. In gilt Whistler frame. 


See note to No. 215. 


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